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Drumming at the Edge of Magic a Journey Into the Spirit of Percussion

Mickey Hart of the Grateful Dead has an almost religious approach to playing the drums : In the way that others define themselves as a Catholic, a Protestant or a Jew, Hart defines himself as a drummer. “Exploring the spirit side of the drum has been the major adventure of my adulthood, if not my whole life, ” he writes in `Drumming at the Edge of Magic.’

As Hart recounts it, drumming has always had a spiritual and physical effect on him, including various degrees of ecstasy and trance. Touched by what he perceived as the primal power of the drums, he set out to collect and study the folklore of percussion instruments, especially in regard to their religious and ceremonial uses.

Although it often aspires to be a primer on the anthology of drumming, `Drumming at the Edge’ succeeds more as a history of his obsession than as a history of the drum. Among the book’s most engaging segments are his recollections of playing parade drums as a child; experimenting with fellow drummer Bill Kreutzmann in the Grateful Dead; playing the `tar,’ an African hand drum, with Egyptian musicians all night around a desert campfire; and attempting to replicate the `chilla,’ a ritual retreat of Indian drummers, by drumming nonstop for four days.

While convincing in relating his obsessions, Hart is on shakier ground when he tries to substantiate the mythic and metaphysical properties of the drum. In Hart’s cosmic scheme, the universe is built on noise and pulse rhythm and all drumming is an attempt to touch the universal. When Hart listens to rock & roll drumming, he hears the echo of Africa’s Yoruba drummers worshiping an earth goddess thousands of years ago. For Hart, each drum has a personality sometimes malevolent, sometimes good that drummers must coax out and meet; he describes gongs in his own collection as having monks and tigers “in them.” There are times when Hart’s absolute conviction is the spirituality of the drums is itself inspiring; at other times it seems so private as to be incomprehensible to anyone else.

Although a personal account, `Drumming at the Edge of Magic’ is not an autobiography. Yet it effectively uses Hart’s search for his own father, an accomplished drummer and con man whom he never knew as a child, as a counterpoint to his search for knowledge about the drums. Fans of the Grateful Dead should be forewarned that Hart has very little to say here about the group’s music.

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What kind of Hardware with Cakewalk Home Studio or similar software?

I would like to set up a small recording set-up for personal use using my computer.
I would be using drum machines, a few keyboards, an electric guitar and an acoustic guitar, and a bass, as well as microphones used to record voice and other drums, instruments, sounds and percussion.
I am planning on gettin Cakewalk Home Studio or something similar I really just need to know what kind of hardware i need to put BETWEEN my instruments and the computer/software??
I would also be looking to do some analog recording using cassette/reel to reel and would be interested in mixing down digitally mastering digitally via my computer.
And while your at it if you could tell me what are some of the best softwares similar to Cakewalk that have recording,mixdown,master, reproduction etc. capabilities.??
And What is the best operating system, computer and computer set-up such as processor, sound cards, memory, speed etc.?
Big question but trying to be as specific as possible.
thanks

You’re right, this is a big question.

Hardware-depends on the amount of tracks you want to record at the same time..and ultimately, your budget. If you just need to do 2 (a stereo pair for your drum machine), I would go with an Onyx Satellite. Onyx preamps are clean. If you’re wanting multiple channels and on a tight, tight budget, go with one of those Presonus FireStudios. if you have a little more money to spend ($1500 or so), go with a Mackie Onyx 1200f or the 1640 w/fireware DAC. I have the latter and I love it, but I would have bought the 1200f if it was available at the time.

As for mastering, I like to use Sonar 7 Producer for my premix and SoundForge for “mastering” (mastering engineers were recording engineers for 20 years and grew bored with it..so now the only thing that can keep them interested is graphing frequencies and making mixes sound good even as ringers on your cell phone. calling what we do “mastering” isn’t quite fair). However, I have used a software in the past called T-Racks and it’s pretty foolproof. EQ, compression, limiting. It has alot of good presets that really help out the lifeless mix.

As far as the best computer, it would be the one that had this done to it: http://www.audioforums.com/resources/windows-xp-optimization.html You can also find a list of services that can be terminated for best performance. As far as a DAW pc, something atleast Dual-Core, I would go with atleast 2gb of RAM as a min, and 2 harddisks…1 for your OS, and one for audio. This will provide troublefree service while using VST plugins. Also; if you get the right audio interface, it’ll become your soundcard.

you can click on my name to see my gear list. some good budget friendly items in there.

I hope it helps.